By Darren Hartley
Echoes of Italian art are apparent in most of Durer paintings, drawings and graphics. Italian influences were slower to show in his graphics than in his drawings and paintings. Albrecht Durer was the central figure in the German Renaissance and one of the most outstanding personalities in the history of art.
The fame of Durer paintings was broadcasted through engravings, and Italian artists started drawing on them for ideas. Albrecht left his native city for a 4 year period, presumably to visit Cologne and the Netherlands. His travels took him to Italy twice, in 1494-95 and 1505-07, visiting Venice and Bologne, and most probably, Florence and Rome.
The fame of Durer paintings was broadcasted through engravings, and Italian artists started drawing on them for ideas. Albrecht left his native city for a 4 year period, presumably to visit Cologne and the Netherlands. His travels took him to Italy twice, in 1494-95 and 1505-07, visiting Venice and Bologne, and most probably, Florence and Rome.
Durer paintings were also known for their portraits, which were frequently commissioned from him. Among the best works from this lot are Portrait of Durer's Father at 70, Portrait of Oswolt Krel, Portrait of Bernard von Reesen and Portrait of Hieronymus Holzschuher.
Several self-portraits comprised Durer paintings. They gave the greatest insight into the Albrecht's character and beliefs. Among these self-portraits are Self-Portrait at 22, Self-Portrait at 26 and Self-Portrait at 28. They were respectively completed in 1493, 1498 and 1500. It was in Venice that he knew and admired above all else, the aged Giovanni Bellini, an old Italian master.
Durer paintings consisting of three engravings in 1513-1514 comprised Albrecht's greatest achievement in printmaking. These masterpieces were Knight, Death and the Devil, St. Jerome in His Study and Melencolia I. Albrecht worked for Emperor Maximilian after completing these engravings. In celebration of the Emperor's achievements, he was commissioned to design a huge print entitled The Triumphal Arch.
Durer paintings consisted of magnificent altarpieces and powerful portraits.
Several self-portraits comprised Durer paintings. They gave the greatest insight into the Albrecht's character and beliefs. Among these self-portraits are Self-Portrait at 22, Self-Portrait at 26 and Self-Portrait at 28. They were respectively completed in 1493, 1498 and 1500. It was in Venice that he knew and admired above all else, the aged Giovanni Bellini, an old Italian master.
Durer paintings consisting of three engravings in 1513-1514 comprised Albrecht's greatest achievement in printmaking. These masterpieces were Knight, Death and the Devil, St. Jerome in His Study and Melencolia I. Albrecht worked for Emperor Maximilian after completing these engravings. In celebration of the Emperor's achievements, he was commissioned to design a huge print entitled The Triumphal Arch.
Durer paintings consisted of magnificent altarpieces and powerful portraits.
Several self-portraits comprised Durer paintings. They gave the greatest insight into the Albrecht's character and beliefs. Among these self-portraits are Self-Portrait at 22, Self-Portrait at 26 and Self-Portrait at 28. They were respectively completed in 1493, 1498 and 1500. It was in Venice that he knew and admired above all else, the aged Giovanni Bellini, an old Italian master.
Durer paintings consisting of three engravings in 1513-1514 comprised Albrecht's greatest achievement in printmaking. These masterpieces were Knight, Death and the Devil, St. Jerome in His Study and Melencolia I. Albrecht worked for Emperor Maximilian after completing these engravings. In celebration of the Emperor's achievements, he was commissioned to design a huge print entitled The Triumphal Arch.
Durer paintings consisted of magnificent altarpieces and powerful portraits. Albrecht's drawings and watercolours are impressive for their diversity in subject matter and for the variety of media in which they were produced. Albrecht truly had a major influence on the development of European art.
About the Author:
Durer paintings consisting of three engravings in 1513-1514 comprised Albrecht's greatest achievement in printmaking. These masterpieces were Knight, Death and the Devil, St. Jerome in His Study and Melencolia I. Albrecht worked for Emperor Maximilian after completing these engravings. In celebration of the Emperor's achievements, he was commissioned to design a huge print entitled The Triumphal Arch.
Durer paintings consisted of magnificent altarpieces and powerful portraits. Albrecht's drawings and watercolours are impressive for their diversity in subject matter and for the variety of media in which they were produced. Albrecht truly had a major influence on the development of European art.
About the Author:
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