Choosing The Best Jazz Guitar Amplifiers

By Kenya Campos


When it comes to guitar players like yourself, all the amps available to you will not fit your style. There are many jazz guitar amplifiers and blues amplifiers. When it comes to your music, just any amp will not do.

The amp that works will depend on the type of music and the venue it will be used on. The studio may have multiple types of amps, and each one that it has would fit a particular sound. Whether it be a soothing night of jazz, heavy metal bash, or a country barn opry, the amps will be the defining point of the music.

Purchasing any amp will just set you up to fail. The main points of an amp that you should pay attention to are its wattage, performance, and sound quality. Brand specific amps will have different layouts and technology that distinguish it from its competitors. There are factors that you should pay attention to as you distinguish the different qualities of amps. Choosing the right amp will require due diligence on your part.
The wattage rates the amps used. The low watt tube amplifiers are robust models. The tube can distort loud volumes. Tube amps are great for studio use where harmonic quality is the key. Typically, the higher the wattage of an amp, the more power it has to push numerous speakers.

The solid and tube amps are quite different. Tube amps are more expensive than solid states, and the tube amps are studio quality. Solid amps use transistors to produce sound amplification. There are various solid state amps that try to reproduce the sound of tube amps, but most of them do not meet the standards.

Micro amps make good practice amps. Most of them only push about 10 to 50 watts. The amps are not much good for anything. They make good for practicing. Because of the size of the amps, micro amps are generally solid state.

The 1 x 12 amplifier uses a single 12 inch speaker ideal for small gigs. They make useful practice amps when sound quality holds more weight than finger techniques. While they pack a punch, they do not meet the standards of playing in large venues. Though, they can be added to large Pas via line out jacks or mic ports.

A 2x12 amp will be the best for small to midsized venues, recording studios, practice, etc. They are heavy cabinets that can work for most types of music. Do not confuse amplifiers with heads. Heads have everything an amplifier would have, minus the speaker. There are various heads that can be hooked onto a stack of speakers and cabinet mounts with different outputs. A typical head can push 400 watts.

The cabinets can house 4-6 12-inch speakers. The system with 4 speakers and a few smaller speakers are called half stacks. A full stack is twice the amount of half stacks. Half stacks and full stac
Micro amps make good practice amps. Most of them only push about 10 to 50 watts. The amps are not much good for anything. They make good for practicing. Because of the size of the amps, micro amps are generally solid state.

The 1 x 12 amplifier uses a single 12 inch speaker ideal for small gigs. They make useful practice amps when sound quality holds more weight than finger techniques. While they pack a punch, they do not meet the standards of playing in large venues. Though, they can be added to large Pas via line out jacks or mic ports.

A 2x12 amp will be the best for small to midsized venues, recording studios, practice, etc. They are heavy cabinets that can work for most types of music. Do not confuse amplifiers with heads. Heads have everything an amplifier would have, minus the speaker. There are various heads that can be hooked onto a stack of speakers and cabinet mounts with different outputs. A typical head can push 400 watts.

The cabinets can house 4-6 12-inch speakers. The system with 4 speakers and a few smaller speakers are called half stacks. A full stack is twice the amount of half stacks. Half stacks and full stacks are commonly used by professional musicians. The cabinet size speakers are what distinguish career musicians from the hobbyists.




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