By Monique Potts
Although people are not built in the same way good posture is very important. The most dynamic phase of how to hold a violin is having a well-built body. First one should look for a chin and a shoulder pad that is good for their posture. Properly place the kit on the shoulder avoiding firm hold by balancing it well.
Wrong method of holding the apparatus can cause tension and it is not easy to change even after long term practice. Support the kit with the shoulder and left arm while resting it on the collarbone. A violin is stabilized by mild weight from the head. The chin length of a player adjusts according to their length.
The space between the players shoulder and the kits back is fitted with a pad. This pad provides friction preventing a violin from slipping off the shoulder. As the collarbone remains constant the support changes from left hand shoulder and the jaw.
Wrong method of holding the apparatus can cause tension and it is not easy to change even after long term practice. Support the kit with the shoulder and left arm while resting it on the collarbone. A violin is stabilized by mild weight from the head. The chin length of a player adjusts according to their length.
The space between the players shoulder and the kits back is fitted with a pad. This pad provides friction preventing a violin from slipping off the shoulder. As the collarbone remains constant the support changes from left hand shoulder and the jaw.
If held correctly and chin rest, shoulder rest and pad fitted with caution, the equipment can be held easily and comfortable. The chins purpose is protecting and providing a comfortable place for the jaw and to adjust length between jaw and collarbone. A non slippery cloth maybe used to cover collarbone. Two stable points are established when it rests lightly on the collar bone and jaw.
Left hand provides support for the apparatus. The neck should rest against the base knuckle located around the first finger that is in the left hand. From the first or second finger the thumb should lightly contact the violin neck. The thumb provides gentle counter pressure preventing the kit from slipping and base of first finger provides support for neck. Four contacts points are established with the violin the side of left thumb collarbone jaw and the base of the index finger.
It is important to spend time holding the equipment with this contact points. Its advisable to pay attention to balance and posture while walking around slowly. The force of gravity pulls the set down and its countered by the collarbone and the base usually in the finger with the help of the thumb. Weight of the head should be applied temporarily to ease tension.
With calm shoulders and rear muscles, help sustain the extended left arm with a stable body. The equipment is not supposed to be held with a firm grip. After good exercise shifting the violin becomes very simple. It should rest on the collar-bone at an angle. The thickness of the instrument is less than the length between the collarbones to the jaw caused by slight tilt found in it.
For thinner shoulders use a thicker pad for comfort. When shifting locations free left hand certain duties. Ensure always that the violin rests on the collar bone with varying degree of support from the shoulder pad and the left hand. While the collar bone remains constant and how stable it should be is determined by three p
Left hand provides support for the apparatus. The neck should rest against the base knuckle located around the first finger that is in the left hand. From the first or second finger the thumb should lightly contact the violin neck. The thumb provides gentle counter pressure preventing the kit from slipping and base of first finger provides support for neck. Four contacts points are established with the violin the side of left thumb collarbone jaw and the base of the index finger.
It is important to spend time holding the equipment with this contact points. Its advisable to pay attention to balance and posture while walking around slowly. The force of gravity pulls the set down and its countered by the collarbone and the base usually in the finger with the help of the thumb. Weight of the head should be applied temporarily to ease tension.
With calm shoulders and rear muscles, help sustain the extended left arm with a stable body. The equipment is not supposed to be held with a firm grip. After good exercise shifting the violin becomes very simple. It should rest on the collar-bone at an angle. The thickness of the instrument is less than the length between the collarbones to the jaw caused by slight tilt found in it.
For thinner shoulders use a thicker pad for comfort. When shifting locations free left hand certain duties. Ensure always that the violin rests on the collar bone with varying degree of support from the shoulder pad and the left hand. While the collar bone remains constant and how stable it should be is determined by three p
It is important to spend time holding the equipment with this contact points. Its advisable to pay attention to balance and posture while walking around slowly. The force of gravity pulls the set down and its countered by the collarbone and the base usually in the finger with the help of the thumb. Weight of the head should be applied temporarily to ease tension.
With calm shoulders and rear muscles, help sustain the extended left arm with a stable body. The equipment is not supposed to be held with a firm grip. After good exercise shifting the violin becomes very simple. It should rest on the collar-bone at an angle. The thickness of the instrument is less than the length between the collarbones to the jaw caused by slight tilt found in it.
For thinner shoulders use a thicker pad for comfort. When shifting locations free left hand certain duties. Ensure always that the violin rests on the collar bone with varying degree of support from the shoulder pad and the left hand. While the collar bone remains constant and how stable it should be is determined by three points during active shift. The function of various parts varies greatly when playing . When held with comfort it can be played for a longer period and with much ease. It can be held easily if the chin rest and shoulder rest are fitted correctly.
About the Author:
With calm shoulders and rear muscles, help sustain the extended left arm with a stable body. The equipment is not supposed to be held with a firm grip. After good exercise shifting the violin becomes very simple. It should rest on the collar-bone at an angle. The thickness of the instrument is less than the length between the collarbones to the jaw caused by slight tilt found in it.
For thinner shoulders use a thicker pad for comfort. When shifting locations free left hand certain duties. Ensure always that the violin rests on the collar bone with varying degree of support from the shoulder pad and the left hand. While the collar bone remains constant and how stable it should be is determined by three points during active shift. The function of various parts varies greatly when playing . When held with comfort it can be played for a longer period and with much ease. It can be held easily if the chin rest and shoulder rest are fitted correctly.
About the Author:
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