By Tanisha Berg
The violin is one of the customary instruments in the traditional music of the West, and has been used in orchestras and ensembles for hundreds of years. It is a familiar sound in many of the most popular classical works, and is known to listeners in many parts of the world. Its students should be aware of how to hold a violin correctly, as part of an optimum playing technique.
Some people may associate the violin specifically with older, classical music or with orchestras and classical ensembles. However, this is not an entirely accurate reflection of its presence. Nowadays, there are popular musicians who use it in their compositions. One of its most famous contemporary proponents is Vanessa Mae, who is a specialist on the instrument and typically plays a modern electric type.
Some people may associate the violin specifically with older, classical music or with orchestras and classical ensembles. However, this is not an entirely accurate reflection of its presence. Nowadays, there are popular musicians who use it in their compositions. One of its most famous contemporary proponents is Vanessa Mae, who is a specialist on the instrument and typically plays a modern electric type.
It makes a good choice of instrument because it is relatively small and therefore easy to transport and pick up. Playing for prolonged periods is thus possible for children or physically diminutive people. It also has a very long lifespan, as is seen in the most prestigious brand, the Stradivarius. These violins were constructed more than 200 years ago, yet they are still the most expensive and respected make in the music sphere.
The correct technique in holding the violin is extremely important. This is due to two factors. Firstly, playing an instrument involves repetitive actions. If they are not performed correctly, injuries may result from the repeated strain of the incorrect grip or posture. Secondly, the violin's sound relies on the player's ability to produce the right notes by manipulating the strings. There are no frets or markings on its neck, so the easiest playing method requires the most appropriate stance and hand position.
The violinist holds the instrument in their left hand, with its body positioned on their collarbone. The shoulder and jaw are then used to secure it there. The left hand traverses the neck, its fingers pressing down on the strings as the music requires. This is not a position that people may experience as natural or obvious at first, so proper supervision and practice are necessary to perfect it.
One typical problem is that the lower jaw exerts excessive pressure on the instrument, so as to prevent it from moving off the clavicle. Alternatively, the instrument's neck is gripped too hard. What people should realise is that the violin is supported alternately by the shoulder, jaw and left hand, so playing requires a constant balance between the three. Applying too much pressure or holding onto the neck too hard are poor habits and should be abandoned immediately.
Shoulderpads are used by some musicians to provide more stability to the instrument. The danger wit
The correct technique in holding the violin is extremely important. This is due to two factors. Firstly, playing an instrument involves repetitive actions. If they are not performed correctly, injuries may result from the repeated strain of the incorrect grip or posture. Secondly, the violin's sound relies on the player's ability to produce the right notes by manipulating the strings. There are no frets or markings on its neck, so the easiest playing method requires the most appropriate stance and hand position.
The violinist holds the instrument in their left hand, with its body positioned on their collarbone. The shoulder and jaw are then used to secure it there. The left hand traverses the neck, its fingers pressing down on the strings as the music requires. This is not a position that people may experience as natural or obvious at first, so proper supervision and practice are necessary to perfect it.
One typical problem is that the lower jaw exerts excessive pressure on the instrument, so as to prevent it from moving off the clavicle. Alternatively, the instrument's neck is gripped too hard. What people should realise is that the violin is supported alternately by the shoulder, jaw and left hand, so playing requires a constant balance between the three. Applying too much pressure or holding onto the neck too hard are poor habits and should be abandoned immediately.
Shoulderpads are used by some musicians to provide more stability to the instrument. The danger wit
The violinist holds the instrument in their left hand, with its body positioned on their collarbone. The shoulder and jaw are then used to secure it there. The left hand traverses the neck, its fingers pressing down on the strings as the music requires. This is not a position that people may experience as natural or obvious at first, so proper supervision and practice are necessary to perfect it.
One typical problem is that the lower jaw exerts excessive pressure on the instrument, so as to prevent it from moving off the clavicle. Alternatively, the instrument's neck is gripped too hard. What people should realise is that the violin is supported alternately by the shoulder, jaw and left hand, so playing requires a constant balance between the three. Applying too much pressure or holding onto the neck too hard are poor habits and should be abandoned immediately.
Shoulderpads are used by some musicians to provide more stability to the instrument. The danger with these is that the pad that is used is too thick, which results in the violin resting at an awkward angle. The pads should not be too smooth either, as the wood will simply slide off them, defeating their purpose entirely. The larger the shoulder's area, the smaller the pad has to be.
The right technique in playing any instrument is mandatory. Players who persist in poor technique develop obstructive habits that are hard to relinquish at a later stage. They may not even be able to play certain music unless they adopt the correct methods. Focusing on the correct technique ensures that the potential satisfaction and enjoyment of the instrument can be attained and shared.
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One typical problem is that the lower jaw exerts excessive pressure on the instrument, so as to prevent it from moving off the clavicle. Alternatively, the instrument's neck is gripped too hard. What people should realise is that the violin is supported alternately by the shoulder, jaw and left hand, so playing requires a constant balance between the three. Applying too much pressure or holding onto the neck too hard are poor habits and should be abandoned immediately.
Shoulderpads are used by some musicians to provide more stability to the instrument. The danger with these is that the pad that is used is too thick, which results in the violin resting at an awkward angle. The pads should not be too smooth either, as the wood will simply slide off them, defeating their purpose entirely. The larger the shoulder's area, the smaller the pad has to be.
The right technique in playing any instrument is mandatory. Players who persist in poor technique develop obstructive habits that are hard to relinquish at a later stage. They may not even be able to play certain music unless they adopt the correct methods. Focusing on the correct technique ensures that the potential satisfaction and enjoyment of the instrument can be attained and shared.
About the Author:
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